Large Format Portrait Photography.
Mainly heavy lifting with a bit of art thrown in.
I had been in email contact with The Vintage News about making their portrait since the beginning of the year and after delays caused by the recent bad weather finally got to shoot with them last week. I decided to use black and white film for this shoot, which is unusual for me as most of my recent personal work has been in colour, but I wanted the shot to look authentic and I still have something of a mental block when it comes to converting colour film to black and white in photoshop. I do it all the time with digital but something from my darkroom days whispers in my ear and I can’t get past the feeling that converting colour film is somehow ‘wrong’. Also black and white film is considerably cheaper (less than half the price) so my principles save me money!
I’ve been shooting people in the vintage scene for a while now, and I’ve always been very careful to treat the subject seriously. I use old tools but I like to think that the photography has a modern sensibility. The limitations of the camera mean that some of the same restrictions regarding subject movement apply just as they would have done 50 years ago. Luckily I have 125 iso film instead of 25 iso, but I was still shooting at 1/8 of a second in this gloomy winter light. I could open the lens up but I don’t really like to shoot more open than f11, especially with a group like this. In the end I plumped for f16 and told everyone to stand very still. All my pictures came out nice and sharp. Thanks I think in the most part to the fact that there was very little wind and no traffic nearby. I suppose I could have used a bit of flash, but frankly I had enough to carry as it was!








